“‘This is
the House Tehran is Talking About’ is a persiflage on the excessive
lifestyle of a certain branch of the affluent social class of Tehran and
a hyperbole on the type of architecture they chose to inhabit as a
means to spatialize their hubris and self-proclaimed exceptional
status.”
We want M.O.R.
We turned
every fantasy you have about residential living into a reality, in the
most alluring and beautiful way. We know what you desire better than you
know yourself, we are able to surpass your wildest wishes, exceed even
your highest expectations and have proven how good we are at making them
come true. You know you are different from the others. You know you
deserve this lifestyle. Treat yourself with an apartment among the best.
Make a distinctive choice.
“We live by object time . . . to the rhythm of their ceaseless succession.” — Jean Baudrillard
This is the House Tehran is Talking About The
collage is composed of famous and important buildings from
architectural history. The typical upper class residence in Tehran is
deeply postmodern in its nature, with very similar stylistic tendencies.
Their architectural language returns to historic elements, but without
any regard for their traditional virtue (like symmetry, unity, purity),
instead abusing them in the most shallow way imaginable way for only
their aesthetic properties and for their connotations with power, wealth
and exclusion. Elements like epistyles, colonnades, cornices,
architectural orders (Dorian, Ionian and Corinthian) and ornaments from
all epochs imaginable, from antiquity to Art Nouveau, form an heretical
ensemble that stands in indifference to the context it is built in.
Soaked in historic remembrance and paraphernalia, and playing an absurd
game of historic quotes, they result in an architectural cacophony with
capital as its only conductor, radiating with vehemence and excess.
This project was done in collaboration with Ivo Pekec. We
want M.O.R has won an honorable mention in the AOA Architecture
Biennale of Tehran competition for architectural critique in 2016 and is
published in their respective magazine. It has also been presented in an architectural lecture series called Mosallas in 2016 in the Iranian Artists Forum.